GAME
This is why composers should pay attention to the video game industry
BY STEPHANIE ESLAKE Composers, rejoice: you don’t need to play video games to write music for…
music for games
GAME
GAME
Here’s what Angelo Valdivia learnt about game soundtracks by launching his podcast
BY STEPHANIE ESLAKE If you see Angelo Valdivia’s name pop up across Level and Gain, it’s…
GAME
Nainita Desai scores your ultimate webcam spy thriller
BY CHRISTOPHER LEON Imagine you could spy on a person’s webcam. Not only that, but you…
GAME
How can we hear classical music in video games?
BY STEPHANIE ESLAKE First published in Australian literary journal Kill Your Darlings as part of the…
FILM
What’s the difference between scoring for film, TV, and game?
BY CHRISTOPHER LEON Level and Gain has officially LAUNCHED! To celebrate our debut month, we partnered…
GAME
Philip Sheppard breaks down his composition process for Detroit: Become Human
BY PHILIP SHEPPARD AS TOLD TO CHRISTOPHER LEON Level and Gain has officially LAUNCHED! To celebrate…
GAME
Nima Fakhrara on scoring a major character in this PS4 game
BY CHRISTOPHER LEON Level and Gain has officially LAUNCHED! To celebrate our debut month, we partnered…