GAME
Australian video game composers are getting their moment in the spotlight
BY STEPHANIE ESLAKE We all love music that tells a story. Whether composed for an opera…
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How Pedro Bromfman composed Far Cry 6
BY CHRISTOPHER LEON WITH STEPHANIE ESLAKEPedro Bromfman is not a gamer. Sure, as a kid he…
FILM
Game and anime music isn’t as niche as you’d think
BY STEPHANIE ESLAKE Think screen music is niche? Perhaps something reserved for new audiences, or performed…
GAME
Meet the legendary composers behind this surrealist game score, inspired by Kafka
BY CHRISTOPHER LEON Through Schoenberg, Herrmann, and a touch of the surreal, composers Mikolai Stroinski (The…
FILM
“To be a Hollywood composer, you need to be a powerful entrepreneur”
BY ANGELO VALDIVIA There aren’t many composers who fluidly work between video games and Hollywood, but…
GAME
The roguish fun of Untitled Goose Game is “definitely something we could all use right now”
BY CHRISTOPHER LEON How do you compose a game in which the main character has only…
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Jason Graves: “People think of scary music whenever they hear my name”
BY STEPHANIE ESLAKE Jason Graves says his name is synonymous with scary music. And with a…
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Sinister Creative celebrates the hybrid genres of video game music
BY STEPHANIE ESLAKE What happens when a classical pianist and a jazz pianist come together to…
GAME
Tasmanian composer Koh-Dee is cracking the mobile gaming industry
BY CHRISTOPHER LEON Mobile gaming is a hot sector of the video games market, accounting for…
GAME
Takahiro Izutani: “I survived the games industry using my imagination and creativity”
BY ANGELO VALDIVIA In early October, I attended High Score: Composition for Sound Art and Gaming,…